Os cães ladram, mas a caravana não passa
Photobook
Work made in an academic context for the Photographic Narratives subject, promoted by the teacher Ângela Ferreira, in the Photography Degree at the University of Media Arts and Design (ESMAD).
Os Cães Ladram, Mas A Caravana Não Passa is a photographic narrative, materialized in a photobook based on Franz Kafka's The Metamorphosis.
The confrontation with difference causes indifference. Is this statement a dogma? Is it always the case that people behave in this way because they consider themselves incapable of opening their horizons?
We have explored the physical and psychological decay that results from an anti-narrative of life and what comes from it. There is a rot that follows this anti-narrative that we have represented through the cycle of apples, spinning the rest of the project around it as if it were a prison that we leave and arrive simultaneously until our final moment is reached.
Are we born another or do we die another? In what way and on what side are we? How do we see ourselves and how are we looked at? What feelings are deeply rooted in us and what paths lead us?
Indifference is death and everything ends.
The caravan did not pass, but the dogs kept barking.
The confrontation with difference causes indifference. Is this statement a dogma? Is it always the case that people behave in this way because they consider themselves incapable of opening their horizons?
We have explored the physical and psychological decay that results from an anti-narrative of life and what comes from it. There is a rot that follows this anti-narrative that we have represented through the cycle of apples, spinning the rest of the project around it as if it were a prison that we leave and arrive simultaneously until our final moment is reached.
Are we born another or do we die another? In what way and on what side are we? How do we see ourselves and how are we looked at? What feelings are deeply rooted in us and what paths lead us?
Indifference is death and everything ends.
The caravan did not pass, but the dogs kept barking.
By Beatriz Correia | Joana Neves Maria | Inês Mouroa | Teresa Ribeiro | Vasco Gil
Photobook Beatriz Correia | Joana Neves | Maria Inês Mouroa | Teresa Ribeiro | Vasco Gil
Printing Tipografia Nova, Santo Tirso
Video Teresa Ribeiro | Vasco Gil
Recordings Teresa Ribeiro
Editing Imagem/Som Vasco Gil
Text Maria Inês Mouroa
Voices Joana Neves | Maria Inês Mouroa | Rui Pedro Almeida
Songs Axletree - The Woods (Remastered) Humanfobia - Azabache Dimension
Sounds SFX Cellar - Slow Ocean Waves SFX Cellar - Ocean Ambience With Seagulls
Tools Adobe Camera Raw | Adobe InDesign |Adobe Photoshop | Adobe Premiere Pro
Photobook Beatriz Correia | Joana Neves | Maria Inês Mouroa | Teresa Ribeiro | Vasco Gil
Printing Tipografia Nova, Santo Tirso
Video Teresa Ribeiro | Vasco Gil
Recordings Teresa Ribeiro
Editing Imagem/Som Vasco Gil
Text Maria Inês Mouroa
Voices Joana Neves | Maria Inês Mouroa | Rui Pedro Almeida
Songs Axletree - The Woods (Remastered) Humanfobia - Azabache Dimension
Sounds SFX Cellar - Slow Ocean Waves SFX Cellar - Ocean Ambience With Seagulls
Tools Adobe Camera Raw | Adobe InDesign |Adobe Photoshop | Adobe Premiere Pro
April - 2021